Tuesday, April 18, 2017

Ernie and Me: An Appreciation

Each August thousands of high school graduates from the Hoosier State and around the country descend upon Bloomington to begin their college careers at Indiana University. That happy lot fell to me in 1978. As a journalism major, I attended many classes at Ernie Pyle Hall, a handsome limestone structure near the university’s Union that housed the journalism department and the offices of the student newspaper, the Indiana Daily Student.

Climbing the steps to enter the building, I often noticed a display window that included a photograph of the famous World War II correspondent after whom the structure was named. Although I had heard of the Dana, Indiana,native, I knew little about the man or his career. In fact, before attending IU, if I thought of Pyle at all, the picture that flashed in my mind was not that of the newspaperman but the actor who played him in the 1945 film The Story of G.I. Joe—Burgess Meredith.

A hasty glance at Pyle’s newspaper career left me less than impressed, typifying as it did, as the correspondent’s biographer James Tobin has noted, a cheerleading style of “war journalism that fell out of favor during the Vietnam War and has not recovered since.” Journalism students of my generation received their inspiration not from old-fashioned reporters such as Pyle but instead from modern investigative journalists such as the Washington Post’s Bob Woodward and Carl Bernstein, men whose work had helped bring down a president, and David Halberstam, who wrote so honestly and brilliantly about this country’s early involvement in Vietnam.

Nobody is so pure of heart—and so self-righteous—as a freshman journalism student. I began to see the errors of my ways while working for the Indiana State Museum System, which at that time included Pyle’s birthplace home in Dana as one of its state historic sites. While researching Pyle’s life for a brochure about the site, I read a number of his war columns and developed a deep respect for the man most World War II GIs regarded as “the soldier’s friend.” To the millions of Americans on the home front during the war, anxious for news of their loved ones, Pyle’s column offered a foxhole view of the struggle as he reported on the life, and sometimes death, of the average combatant. Later, while working at the Indiana Historical Society, I wrote a youth biography about the Hoosier hero of World War II.

Because of Pyle’s work, poet and veteran Randall Jarrell said, most of the country “felt, in the fullest moral and emotional sense, something that had never happened to them, that they could never have imagined without it—a war.” At the time of his death in the Pacific in 1945 from a sniper’s bullet, Pyle enjoyed a worldwide readership, with his work appearing in four hundred daily and three hundred weekly newspapers. Nobel Prize–winning author John Steinbeck, a Pyle friend, perhaps summed up the reporter’s work best when he told a Time magazine reporter: “There are really two wars and they haven’t much to do with each other. There is the war of maps and logistics, of campaigns, of ballistics, armies, divisions and regiments—and that is General [George] Marshall's war. Then there is the war of the homesick, weary, funny, violent, common men who wash their socks in their helmets, complain about the food, whistle at the Arab girls, or any girls for that matter, and bring themselves through as dirty a business as the world has ever seen and do it with humor and dignity and courage—and that is Ernie Pyle’s war.”

Hamstrung as Pyle was by the restrictions imposed by U.S. Army censors, he nevertheless attempted to convey to his readers the hardships endured by those in uniform. Although Pyle’s columns covered almost every branch of the service—from quartermaster troops to pilots—he saved his highest praise and devotion for the common foot soldier. “I love the infantry because they are the underdogs,” he wrote. “They are the
mud-rain-frost-and-wind boys. They have no comforts, and they even learn to live without the necessities. And in the end they are the guys that wars can’t be won without.”

The Hoosier reporter’s columns not only described the soldier’s hardships, but also spoke out on his behalf. In a column from Italy in 1944, Pyle proposed that combat soldiers be given “fight pay,” similar to an airman’s flight pay. In May of that year Congress acted on Pyle’s suggestion, giving soldiers 50 percent extra pay for combat service, legislation nicknamed the Ernie Pyle bill.

In spite of the warmth he felt for the average GI, Pyle had no illusions about the dangers involved with his own job. He once wrote a friend that he tried “not to take any foolish chances, but there's just no way to play it completely safe and still do your job.” Weary from his work in Europe, Pyle grudgingly accepted what was to be his last assignment, covering the action in the Pacific with the navy and marines. He rationalized his acceptance, noting, “What can a guy do? I know millions of others who are reluctant too, and they can't even get home.”

After Pyle’s tragic death on Ie Shima, Edwin Waltz, the reporter’s personal secretary at Pacific Fleet headquarters, went through his personal effects and discovered a draft of a column Pyle had handwritten in anticipation of the war’s end in Europe. The column, which was never published, reveals as does no other piece of writing the terrible personal toll the conflict took on him. He wrote that buried in his brain forever would be the sight of cold, dead men scattered everywhere: “Dead men in such monstrous infinity that you come almost to hate them.” For the reader at home, Pyle wrote, these men were merely “columns of figures, or he is a near one who went away and didn’t come back. You didn’t see him lying so grotesque and pasty beside the gravel road in France.” Pyle and his colleagues, however, saw them, and they saw them by the uncountable thousands: “That’s the difference.”

Thursday, April 13, 2017

An Election to Remember

For most of April and early May in 1968, the eyes of the nation turned to the Hoosier State. Reporters and television correspondents from around the country flocked to Indiana to report on the state’s Democratic presidential primary. The primary campaign forty years ago attracted such wide attention due to the entry into the race of Robert F. Kennedy, the junior U.S. senator from New York. In the primary, Kennedy faced off against two opponents—fellow senator Eugene McCarthy from Minnesota and Indiana governor Roger D. Branigin, running as a favorite-son candidate.

In deciding to make the Indiana primary his first test before voters, Kennedy hoped the nineteenth state might provide the same validation to his presidential ambitions as West Virginia had done for his brother, John, in his primary battle with Hubert Humphrey in 1960, removing the taint that no Roman Catholic could be elected president. “Indiana is the ballgame,” Kennedy told one of his aides. “This is my West Virginia.” In his campaign literature and rallies before Hoosier voters, Kennedy emphasized that Indiana had the opportunity, with its decision in the Democratic primary, to once again, as it had in the past, play a vital role in the country’s presidential contest. “Indiana can help choose a president,” Kennedy repeated again and again in his speeches.

Kennedy hoped to gain enough of a mandate in Indiana to knock McCarthy out of the race for good. Because he could not pick up enough delegates from primary states to win the nomination, Kennedy also wanted to have enough strong showings to impress the heads of city and state Democratic organizations, such as Chicago mayor Richard Daley, who controlled the majority of delegates at the convention through caucuses and state conventions. Kennedy wanted to prove to these party stalwarts that he could attract the support of not just African Americans and college students, but poorer, white voters worried about violence in their communities and fearful of the gains made by African Americans in civil rights and equal access.

In addition to showcasing such national political figures as Kennedy and McCarthy, the Indiana presidential primary shone a spotlight on some fascinating Hoosier politicians, especially Governor Branigin, a Harvard-educated lawyer from Franklin, Indiana. An engaging, witty speaker with an encyclopedic knowledge of the state’s history, Branigin had initially agreed to run as a stand-in for President Lyndon B. Johnson in the primary. Four years before, Indiana governor Matthew Welsh had played a similar role for Johnson, running, and winning, the Indiana primary against George Wallace, the segregationist governor of Alabama.

With Johnson’s announcement on March 31 that he would not seek or accept his party’s nomination for president, a stunned Branigin nevertheless decided to remain in the race as a favorite-son candidate. He hoped to win some influence for Indiana’s sixty-three delegates at the Democratic convention in Chicago, slated to be held in August 1968. Time and time again during the campaign he repeated that national issues were not at stake in Indiana. “What is at stake here,” he told his supporters, “is who is going to represent the state of Indiana in Chicago.”

McCarthy and his campaign never seemed to hit their stride in Indiana. One key McCarthy staff member called his time in the state a “frustrating, painful experience.” Workers had to endure poor press coverage, ineffective cooperation with local supporters, and a pending strike by telephone installers that hampered the campaign’s communication efforts. Those who canvassed the state seeking votes on McCarthy’s behalf were usually met with blank stares and the question: “McCarthy who?”  The senator wasted much of his time attempting to draw crowds in smaller rural communities and hampered his own efforts by making last-minute decisions to alter or cancel his planned schedule.

Focusing on appearances in small communities, McCarthy encountered small crowds and appeared uncomfortable connecting with Hoosiers. Erratic scheduling that made him late for some appearances and miss out on large crowds waiting for him in others did not help matters. Later, McCarthy summed up his unease while campaigning by noting that he kept hearing from people about a poet, and asked if they were referring to William Shakespeare or perhaps his friend Robert Lowell. “But it was James Whitcomb Riley,” he said. “You could hardly expect to win under those circumstances.”

Kennedy, too, had a difficult time during the early days of his campaign getting his message through to Indiana voters. The senator, however, threw himself into the campaign, barnstorming around the state in motorcades, making quiet stops at sites important to Indiana history in the southern portion of the state, and even resurrecting railroad whistle-stop campaigning on the Wabash Cannonball. “He always does better in person,” campaign aide Fred Dutton said of the candidate. “Because Bob is so misunderstood, he has to show himself.”

The night before Indiana voters went to the polls, Kennedy, exhausted from a full day of campaigning that started in Evansville and ended with a nine-hour motorcade through a series of communities in northwest Indiana, stopped for an early-morning dinner at an Indianapolis restaurant with campaign aides and members of the media. Kennedy, his hands red and swollen after shaking thousands of hands, reflected on his experiences and a decision that might end his fledgling effort at the White House once and for all. In a mellow mood, according to Village Voice reporter Jack Newfield, the candidate expressed a fondness for the state and its people. “I like Indiana. The people here were fair to me,” Kennedy said. “I gave it everything I had here, and if I lose, then, well, I’m just out of tune with the rest of the country.”

Kennedy would go on to win the May 7 Indiana primary. Kennedy captured 328,118 votes (42.3 percent) to 238,700 (30.7 percent) for Branigin and 209,695 (27 percent) for McCarthy. Winning the Indiana primary kept alive Kennedy presidential hopes. “He went yammering around Indiana,” John Bartlow Martin, Indiana historian and writer, noted of Kennedy, “about the poor whites of Appalachia and the starving Indians who committed suicide on the reservations and the jobless Negroes in the distant great cities, and half the Hoosiers didn’t have any idea what he was talking about; but he plodded ahead stubbornly, making them listen, maybe even making some of them care, by the sheer power of his own caring.” A month later in Los Angeles, Kennedy was assassinated moments after his victory in the California Democratic presidential primary.

Friday, April 7, 2017

Writing Advice from the Indianapolis Times

From its start in 1888 until it ceased publication on October 11, 1965, the Indianapolis Times produced "lively and sometimes courageous journalism" for its readers, engaging in a variety of crusades against corruption in local and state government and campaigning for better school lunches for Indianapolis students.

The newspaper also waged an often lonely fight against the Ku Klux Klan during the 1920s--a time when that racist organization held considerable political power throughout the state. The Times won a 1928 Pulitzer Prize for Public Service for its work in "exposing political corruption to Indiana, prosecuting the guilty and bringing about a more wholesome state of affairs in civil government." 

In comparison to other newspapers in the city, which had stodgy reputations, the Times, noted one of its former reporters, John Bartlow Martin, was "lively, aggressive, liberal and leaning Democratic, more fun to read and work on. The Times hired you young, paid you little, and promoted you fast." The newspaper's 1954 style book, which gave tips for its reporters and editors, offers tips that are applicable to those engaged in those activities today.

For its reporters (the "Wallpaper Department"), the Times, part of the Scripps-Howard Newspaper chain, recommended them to be, most of all, accurate; dependable; to use good taste;to  read, study people, dig under the surface of things; and to be truthful. "Write your stories as you would tell them to people whose attention you want to catch," the style book said. "If you ramble, they get bored. The same is true with writing." It also reminded its writers to be fair and to keep their opinions out of news stories: "Listen to both sides. Reporting is incomplete with only accusations--hear the defense. It may spoil what you thought was a good story, but its saves you from the worst error--a biased story."

To be a complete reporter, the newspaper believed that their writers needed to remember that their jobs were not done with "just the gathering and writing of your stories. The entire paper is your responsibility. READ IT EVERY DAY--ALL OF IT. Know what it is in it." If reporters followed this dictate, and wrote as they should, the Times believed neither the writers nor subscribers would want to miss any issue. "If you're bored," the style book noted, "pity the poor character who pays the newsboy for the wallpaper you turn out."

For its editors, which the newspaper playfully called "the butchers," the Times advised them to take pride, "not glee," in their work trimming reporter's copy and to always remember that editors and reporters were on the same team, "fight together." While all copy could be cut, as there were "no sacred cows" on the newspaper, it advised the editors that stories could also be expanded. "Edit always in the interest of lucidity and good taste," the style book continued. "Whack, expand, rephrase or rewrite, but do not edit the writer's personality out of the story. The finished product must be the best efforts of many people."

A rule of thumb for the Times was that "our newspaper is always a gentleman." Still, even a good newspaperman could make a mistake. The style book advised its employees never to try to cover mistakes. "Report them to the desk for quick correction," the book noted. "That will save your and our reputation for integrity, and it may prevent a libel suit." Although a newspaper had a constitutional right to freely publish and to make comments, it also had to be "truthful and the comments fair, unbiased, uncolored and truly supported by the facts."

Tuesday, April 4, 2017

She Achieved: Lotys Benning Stewart

In its colorful history, the eight-story Claypool Hotel in Indianapolis proved a luxurious spot for hosting gatherings for all occasions. On March 16, 1945, the hotel’s Riley Room, named for The Hoosier Poet, James Whitcomb Riley, was packed with more than 160 Indiana women of distinction in the fields of art, education, literature, politics, business, and social welfare. WIRE radio personality Wally Nehrling, master of ceremonies for the event, said that not since “the famous boatload of knowledge steamed down the Ohio has Indiana seen such a brilliant group assembled under one roof.”

The women were gathered to pay homage to Lotys Benning Stewart, who, for the past four years, had been responsible for the regular Sunday column “The Achieve” in the Indianapolis Star. “People think you can’t know anything when you do such a variety of writing,” said Stewart, “but I find that everything I do opens another door for me, and everything I write makes the next thing easier to do.” Through her column profiling accomplished Indiana women, Stewart had earned an enthusiastic readership and a reputation as one of the state’s leading female journalists. That may have been the reason why Star managing editor James Stuart, in 1946, offered her the opportunity to become the newspaper’s full-time fashion editor—the first such position in Indiana journalism.

Although Stewart protested that she knew nothing about fashion, she accepted the assignment and set out to master the field, eventually having her workload doubled when she also became the newspaper’s home furnishings editor. By the time she died, unexpectedly, at age 55, Stewart had written thousands of articles and had become well known nationwide as a pioneer in the field of fashions and home furnishings.

“Although she had not sought the role, the quality, volume and impact of her work made her a mid-century celebrity in Indianapolis,” said William Stewart, her only child. William’s father was Chelsea Scobey Stewart, director of program production for the Indianapolis Public Schools, whom Lotys had married in 1939. “In demand as a speaker, she regularly addressed meetings of women’s organizations, lectured to college classes and accepted invitations for radio station interviews,” William said of his mother.

Born in Toledo, Ohio, in 1908, Lotys (pronounced LOW-tis or LODE-us) was the daughter of William F, a New York Central Railroad executive, and Kathryn Benning, a talented ceramics artist. In the mid-1920s the Benning family moved to Indianapolis when William received a promotion from the railroad. Lotys attended Shortridge High School and after graduation started her undergraduate studies at Butler University. As a sophomore, she wrote book reviews for the campus newspaper, the Butler Collegian, and she started a literary column that featured interviews with authors who came to Indianapolis. Her first memorable interview came on a vacation trip to New Orleans, where she spent an afternoon with Dorothy Dix, the forerunner of today’s popular advice columnists. Lotys turned the meeting into an article for the Star.

After earning undergraduate (1929) and graduate (1931) degrees in English from Butler, Benning tried her hand as a freelance writer and served as publicity director for the Indianapolis Home Show for three years. Her next move was to become state director of information for the National Youth Administration, one of President Franklin D. Roosevelt’s New Deal programs that fostered economic and educational opportunities for Americans between the ages of 16 and 25.  In later years, she also did publicity work for the John Herron Art Institute and the Indiana State Medical Association.

In 1941 Stewart joined the Star staff as the author of the “They Achieve” column. Until a bout of pneumonia laid her low for a time, she had written 234 Sunday stories without a break. At the Claypool luncheon celebrating the fourth anniversary of her column, Stewart, who compared the gathering to “having my album come to life,” managed to introduce each of the women in attendance by name. In addition to her column, Stewart hosted two programs on the Indianapolis radio station, WISH: “Women in War,” a series of interviews with local women involved in activities supporting the war effort, and “Ladies Listen,” which blended fashion news with stories about prominent Indianapolis women.

As fashion reporting grew in coverage in the post-war period, Stewart became a key figure in the semi-annual gatherings of fashion editors in Manhattan to preview fall and spring collections presented by major designers. In Indianapolis, she became close friends with Elizabeth M. Patrick, L. S. Ayres & Company fashion coordinator, and played an important role in promoting the company’s famed “That Ayres Look” slogan. “Lotys does the kind of fashion reporting that women can understand,” Patrick said at the time. “When she quits writing, it will be the end of a fashion era.”

Many times in the mid to late 1950s, William Stewart remembered accompanying his mother to Ayres’ eighth-floor auditorium to occupy a front-row seat for another runway fashion show. In that era, he was often the only male present at fashion showings in the department store’s French Room, a favorite destination, he noted, of fashion-conscious Indianapolis women. “I was also pressed into service as a model of Ayres’ young gentleman’s attire for Star photo shoots,” he recalled, “both in the store and on location.”

Of even greater interest to the young William were the location trips he took with his mother to Indiana furniture companies, such as the RomWeber Furniture factory in Batesville and the Smith plant in Salem, where wooden cabinets for every Motorola television sets were crafted. Several times each year, William and his father rode the Monon passenger train to Chicago to meet Lotys for lengthy Friday afternoon tours through the cavernous Merchandise Mart as “she made notes on the latest offerings of Dunbar and other Indiana manufacturers.”

Upon Stewart’s death on Nov. 8, 1963, an editorial in her beloved Star praised her many achievements, including numerous awards from organizations such as the American Furniture Mart and American Shoe Institute. Her newspaper colleagues remembered her “gentleness, her good humor, her sympathetic understanding of every co-worker’s problems,” and they retained vivid memories of her courtliness, accented by her “large hats of unique design, her cape and her elbow-length gloves.” Most of all, the newspaper recalled her legacy of “excellent reporting for a new generation of newspaper workers, both men and women.”